**Review of "You Like to Draw"
"You Like to Draw," written and directed by Todd E. Braley, is a heartfelt indie film that truly shines in its execution and emotional storytelling. The story, crafted by Debra Lamb and Todd Braley, centers around the complexities of female relationships, and it’s refreshing to see a film that explores these dynamics without resorting to violence or patronizing tropes.
One of the film’s greatest strengths lies in its cinematography, helmed by Scot Stewart. The visuals are striking, with well-orchestrated shots that navigate seamlessly between close-ups and wider angles. The car scenes, in particular, are expertly executed, creating a natural depth of field that draws viewers into the characters' emotional journeys. It’s clear that a lot of thought went into these visual moments, enhancing the film's overall impact.
The performances are another highlight, especially Rose Bonino's portrayal of Laurie Miller, the "forgotten" younger sister. Bonino brings a unique charm to her role, balancing comedic relief with poignant moments that resonate deeply. The film does an exceptional job of showcasing real women with real emotions, making their experiences relatable and authentic.
While "You Like to Draw" isn’t without its flaws—primarily stemming from budgetary limitations—it ultimately delivers a powerful message with sincerity and passion. The care that Braley and his team have put into this project is evident, making it a worthwhile watch for those who appreciate films with heart.
In summary, “if You Like to Draw" is definitely worth your time. It's a commendable addition to the indie film landscape, deserving of support and recognition.
4 POPCORNS
3 POPCORNS
There’s No Such Thing as Zombies
“There’s No Such Thing as Zombies” is a delightful addition to the indie film landscape, showcasing a unique twist on the zombie genre. While the production value is understandably low—an expected characteristic of independent filmmaking—the creativity and enthusiasm behind this project shine through.
The film features strong performances from Debra Lamb and Lynn Lowery, who bring depth and charisma to their supporting roles. Their portrayals add a layer of authenticity that elevates the film, making each scene they are in both engaging and memorable. It's clear that they invested themselves fully in their characters, adding to the overall enjoyment of the film.
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The narrative, while simple, is cleverly executed, and the humor sprinkled throughout keeps the audience entertained. The filmmakers have done a commendable job of crafting a story that, despite its budgetary constraints, manages to deliver an enjoyable experience.
In conclusion, “There’s No Such Thing as Zombies” is a great attempt at low-budget filmmaking that proves creativity can thrive even with limited resources. With standout performances from Lamb and Lowery, this film is a testament to the passion and dedication of its creators. If you’re a fan of indie films with a quirky twist, this one is worth a watch!
3 POPCORNS
2017"
A Ghost Story,” directed by David Lowery, is an extraordinary cinematic experience that transcends the conventional boundaries of the ghost story genre. Released in 2017 and starring Casey Affleck and Rooney Mara, this film is a poignant meditation on love, loss, and the passage of time, all wrapped in a hauntingly beautiful visual tapestry.
From the very first frame, “A Ghost Story” establishes itself as a unique narrative that invites viewers to delve deep into the emotional landscape of its characters. Affleck plays a recently deceased man who returns as a ghost, draped in a white sheet with two eye holes cut out, a clever and minimalist design that evokes both nostalgia and an unsettling feeling of presence. This spectral representation serves as a powerful metaphor for the lingering impact of our lives and the memories we leave behind.
Rooney Mara delivers a stunning performance as the bereaved partner, capturing the rawness of grief with an authenticity that resonates deeply. In one of the film’s most memorable scenes, we witness her character’s profound sorrow as she eats a pie in a single, unbroken take—a moment that encapsulates the film’s exploration of mourning and the mundane experiences that can feel monumental in the wake of loss.
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The cinematography by Andrew Droz Palermo is nothing short of breathtaking. Each frame is meticulously crafted, with long takes that create a dreamlike quality, drawing us into the ghost’s timeless existence. The film’s pacing, slow and deliberate, allows viewers to truly absorb the weight of the emotions on screen, encouraging reflection on our own relationships and the fleeting nature of time.
Lowery’s direction is masterful, as he seamlessly weaves together themes of love, memory, and the inevitability of change. The film invites us to ponder the nature of existence itself—what it means to leave a mark on the world and how love transcends even death. The haunting score adds another layer of depth, enhancing the film’s ethereal quality and ensuring that its emotional beats linger long after the credits roll.
“A Ghost Story” is not just a film about a ghost; it is a profound exploration of human experience. It challenges us to consider what it means to be truly present for one another and the echoes our lives leave behind. This film is a testament to the power of storytelling, reminding us that even in the face of loss, love endures.
In a world filled with formulaic narratives, “A Ghost Story” stands out as a breathtaking and thought-provoking work of art. It is a film that will resonate with anyone who has loved and lost, making it a must-see for those seeking a deeper understanding of life’s most poignant moments. A haunting masterpiece that stays with you long after viewing, “A Ghost Story” is a film that deserves to be celebrated.